Remaking Parasite
‘Parasite’ (the original film) captivated me with its masterful exploration of social disparity. The film’s brilliance lies in its brilliant use of cinematic elements – architectural design, furniture placement, and even the dialogue and actions creates a masterful storytelling technique resonated deeply with me, solidifying my belief that film remains the most impactful medium for exploring such complex social issues. I find films possess a unique ability to transcend cultural barriers and deliver messages that resonate with audiences on a profound level which lead me to explore the potential of film as a tool for social commentary within the framework of this thesis.
Manchester’s buzzing film scene thrummed with possibility, a world away from my experiences back home. But as I explore deeper, the initial thrill gave way to a strange sense of alienation. The enjoyment and struggles to live I’d faced in Malaysia felt different here, a layer of “otherness” amplifying the existing inequalities. This wasn’t just my story; it mirrored a global reality, a yearning to belong that transcended borders. “Remaking Parasite” is a resolution of my exploration – a filmmaker’s journey to use film language to capture this very human desire for connection in a world of disparity. While this project wouldn’t directly mirror the original “Parasite” concept, it would utilize its powerful symbolism to depict disparity and inequality.
This entire project, documented carefully, aspires to become more than a personal exploration. This project is a journey dedicated to sharing a passion within me: the art of filmmaking. I envision it serving as a valuable reference for future filmmakers. Ultimately, this project strives to leave an iconic and memorable impression. Through the 7-minute short film, filming sets, legacies, exploration methods, I hope to spark conversations, evoke emotions, and challenge perspectives.
