PRAXXIS is a female led, cross disciplinary teaching atelier at the MSA in BA3, MArch years 1&2 and MLA2, investigating architecture, landscape architecture and urban design. We take an inclusive, socially driven approach, through the lens of intersectional feminism, to explore the inequalities in society and what that may mean for the built environment. Intersectionality acknowledges that the various layers of what we see as social and human characteristics - class, race, sexual identity, religion, age, disability, marriage status and gender identity - do not exist separately from each other but are interwoven as a complex matrix. Studio for us is a platform where theoretical transdisciplinary practices are set up, a studio space of exchanges and dialogues where students can ask questions that might not be comfortable.

For the year-long thesis project our MArch2 students use feminist tools as a way of constructing potential project briefs that always respond to the personal and the political. Each individual project explores inclusive understandings of how our identity affects our life and our work. By defining a project from a personal position (an experience or simply a passion) and placing it within a political context, project work often results in the re-definition of systems - a key tenant of feminism. The objective is to alter the existing system for the inclusion of others, and primarily create equity for others. The project subjects are vast in their range and inspire the teaching team year in and year out.

The overarching agenda for the BA3 and MArch1 years has been a Feminist Factory of Care on the shared theoretical site of the urban model of Ville Radieuse, the unrealised utopia by Le Corbusier with the aim to propose how it could become more inclusively feminist.

The overarching agenda for the MArch1 working alongside the BA3, has been a Feminist Factory of care on the shared theoretical site of the urban model of Ville Radieuse, the unrealised utopia by Le Corbusier with the aim to propose how it could become more inclusively feminist. The projects are interlinked at various scales of the political through to the personal, in different ways of learning across the atelier and in multiple attitudes towards a feminist approach to architecture, through a feminist lens.

It has been important for the students to explore feminist technologies this year by discussing technologies which are collaborative, are gender equitable, or driven by need rather than just technological advances.

Finally, using feminist pedagogy we require our students to create individual Project Road Maps. Through this we ensure that these various key reflective processes are constantly discussed throughout the year. This is something we see as a crucial part of any successful feminist project. Each road map involves the navigation and communication of how and what the students have had to unlearn, learn, then had to re-learn, whilst constantly reflecting and finally self-evaluating.

Praxxis asks our students frequently:

  • What kind of Feminist Architect do you want to be?
  • How do you want to practice, not where and not for who?
  • And what form of practice that might be?

Please check our work out on Instagram and Twitter on @praxxis_f

MArch2

Motherhood Penalties

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The Saving Grace

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Reinventing the Private Rental System

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The Cognitive Portal to the Alternative World

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Liberty Reapers

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The politics of plastic

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Feminist Nightscapes: The Safe Place

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Deviants' Heterotopia Island.

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Ageing with Dignity

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Su[b]real Technologies: Navigating the Dichotomy Of Response to an Illusory Doomsday

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Jailbreaking HMP Strangeways

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An African Renaissance: Reclaiming the Unguwa

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The Sanctuary of New Beginnings: Galactic Labyrinth

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Towards A New Blueprint: Decolonising The British Museum!

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Stepping Out

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FreeMall

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Shilpogram: A Crafter's Village

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DC mini

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Re-Cultivating Harmony : Healing in Kowloon Walled City

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Floatscape Living: Intergeneration housing at sea

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Bamboo Village

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'MÖBIUS FLOW'

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Swinton Precinct (Reimagined): A 60s Living Museum

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[for the] 99%

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Ghost Storeys

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The Corner Shop

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BOY'S DOn't CRY

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A Post-Colonial Journey into a Filmic Imaginary

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A feminist approach in sustaining Kumbharwada's identity amidst vertical development

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