Factory of Liberation
My final year project is a response to the Policing Bill, which intends to silence protestors by providing police additional power to halt protests and demonstrations. This has a significant impact on marginalised groups, particularly those who have experienced systematic injustice and inequality, putting them at a higher risk of being detained or targeted. The Radiant City by Le Corbusier (the site) represents a patriarchal system in which inclusion is secondary in design, resulting in unworkable environments. My idea aims to counter this by creating a safe area where underprivileged groups can acquire protest kits and young activists can learn about the importance of protesting. It sits partially atop a canal, with distribution taking place on the deck for convenient access by passing boats. The building's architecture represents the push and pull of underprivileged communities challenging the system.
It incorporates inclusive and interactive design features in which the community cultivates change and collaboration. Inclusive design that recognises the voices of those who have been silenced is critical in creating a space where the community feels they have made their mark. It presents individuals with a sense of ownership and belonging to the area, which serves as a focal point for gatherings. The aluminium fins and rotating canvas system serve as blank canvases for users to paint murals on, enabling interaction with the building's facade and the interior. Both are designed to be as easily accessible as everyone should be made to feel included. My project intends to provoke sentiments of strength and robustness by using materials like recycled concrete aggregate, steel and timber flooring to create a sense of belonging, empowerment, and representation. The traditional materials chosen are sustainably manufactured from repurposed buildings from the site to achieve a net zero building whilst still reflecting the journey of protest.
